The Smile (ft. Radiohead’s Thom Yorke & Jonny Greenwood): North American Tour This Fall; LP Out Now


Adrian GarroCategories:Latest News

Rock Cellar Magazine

The Smile, the English indie supergroup featuring Radiohead’s Thom Yorke and Jonny Greenwood, as well as Tom Skinner of Sons of Kemet, unveiled plans for its first-ever tour of North America:

Announced on Monday, the tour news comes a month after the group released its debut album, A Light for Attracting Attention.

The North American dates:

Mon Nov 14 – Providence, RI @ Veterans Memorial Auditorium
Wed Nov 16 – Boston, MA @ Roadrunner
Fri Nov 18 – Brooklyn, NY @ Kings Theatre
Sun Nov 20 – New York, NY @ Hammerstein
Wed Nov 23 – Washington, DC @ The Anthem
Fri Nov 25  – Montreal, QC @ MTELUS
Sat Nov 26 – Toronto, ON @ Massey Hall
Mon Nov 28 – Detroit, MI @ Masonic Temple Theatre –
Tue Nov 29 – Milwaukee, WI @ Riverside Theater
Thu Dec 01 – Chicago, IL @ Riviera Theatre
Sat Dec 03 – Nashville, TN @ Ryman Auditorium
Sun Dec 04 – Atlanta, GA @ The Eastern
Tue Dec 06 – New Orleans, LA @ Orpheum Theatre
Thu Dec 08 – Dallas, TX @ The Factory in Deep Ellum
Sat Dec 10 – Denver, CO @ Mission Ballroom
Wed Dec 14 – Portland, OR @ Arlene Schnitzer Concert Hall
Fri Dec 16 – Seattle, WA @ WaMu Theater
Sun Dec 18 – San Francisco, CA @ Bill Graham Civic Auditorium
Wed Dec 21 – Los Angeles, CA @ Shrine Auditorium

Click here to pre-order A Light for Attracting Attention on CD from our Rock Cellar Store (Release Date June 17)
Click here to pre-order A Light for Attracting Attention on LP from our Rock Cellar Store (Release Date June 17)

The Smile has been out on a European/U.K. tour, with the new North American run coming after the group has had plenty of time to get its live show together.

Emily Herring attended the Smile’s London performances in early February that were aired as a global live stream event. Here’s a bit from her review, capturing the vibe of the performance:

As ever with Yorke and Co., there is no point in trying to confine the sound to a well-defined genre. The songs are infused with an eclectic mix of influences, ranging from post-punk to jazzy rhythms and electronic beats. Yorke and Greenwood have built a career on surprising themselves (and by extension their fans) by consistently refusing to conform to any work routine, or to any preconceived idea of what they should sound like. The Smile is no different. Of course, almost inevitably, the new material is evocative of Radiohead’s sensibilities, but there is a novel energy to this venture that seems much more spontaneous and informal than anything Radiohead has ever done.

There is no doubt something liberating about no longer being weighed down by the heavy expectations of the Radiohead machine.



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