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Out Now: Jack White Unleashes His Innovative, Offbeat Rock Fury on ‘Fear of the Dawn’ (Listen)

When Jack White revealed he had not one, but two new albums scheduled for release in 2022, the mind raced with ideas.
Would the singer/songwriter/guitarist/label head/cultural icon be exorcising his most experimental leanings over the course of two widely different collections of songs? Or would both be guitar-forward, garage-rock adventures similar to his early days with the White Stripes?
Released today, April 8, Fear of the Dawn is the first of those two records, and it was led by the buzzy burst of “Taking Me Back”:
The loud & proud opening song blends right into the title track, and before long it’s evident this is a “let it all out” type of record from White.
Take “The White Raven,” with its almost Tool-meets-Black-Keys energy, for example:
Click here to pick up Fear of the Dawn on CD from our Rock Cellar Store
Click here to pick up Fear of the Dawn on LP from our Rock Cellar Store
White is a musical chameleon, having shifted approaches and projects over the years with ease, blending into each musical persona with precision. But with Fear of the Dawn, he’s Jack White again — comfortable with himself and confident in his musical expression.
Rapper Q-Tip shows up for “Hi-De-Ho,” a mash-up of styles that works well:
White has always been hard to pin down with his various projects and creative endeavors. 2018’s Boarding House Reach was noted for its experimental leanings, while drifting somewhat away from the guitar-centered energy of his previous two solo albums (and, of course, his White Stripes material).
Fear of the Dawn plugs the guitars back in and rocks out, and the results are a reminder of just what’s made Jack White one of the most innovative figures in rock and roll for the past two decades.
The next record, Entering Heaven Alive, is expected out later this year.
Listen to Fear of the Dawn below.
Catch Jack White and his backing band on the Supply Chain Issues tour in the coming months — the updated schedule, with listed support acts: