Latest News

August 10, 2022
Out Now: ‘New York Groove: An Inside Look at the Stars, Shows & Songs That Make NYC Rock’ from Author/Rock Cellar Contributor Frank Mastropolo

August 10, 2022
Documentary ‘Randy Rhoads: Reflections of a Guitar Icon’ To Release on DVD & Blu-Ray (Pre-Order)

August 10, 2022
311 Announces Caribbean Cruise in 2023, Promising ‘311 Day At Sea’ with Bands, Comedians and More

August 10, 2022
Steve Hackett Previews ‘Genesis Revisited Live: Seconds Out & More,’ Due Sept. 2 (Pre-Order)

August 10, 2022
Yeah Yeah Yeahs Share the Simmering “Burning,” from New Album ‘Cool It Down’ Coming Sept. 30

August 10, 2022
Set Sail with Mike Love and The Beach Boys on the ‘Good Vibrations’ Cruise in March 2023

August 9, 2022
A Zorro-Like Character on a Toy Horse Rides Into Chaos at 7/11 in Pixies’ Absurdist New Video for “Vault of Heaven”

August 9, 2022
Flannel Nation Fest Cancelled: ’90s Alt/Rock Fest Originally Scheduled for 8/13 in Southern California

August 9, 2022
Phoenix: Funky New Song “Alpha Zulu” Out Now Ahead of Global Fall Tour; New Album in Progres

August 9, 2022
Blondie Previews ‘Against the Odds 1974-1982’ Box Set with Previously Unreleased 1978 Track “Mr. Sightseer”
Stream Dirty Heads’ Genre-Bending New Album ‘Super Moon,’ Recorded in Nashville with Producer Dave Cobb

Dirty Heads rose to prominence thanks to a hybrid of styles that saw reggae, rock and acoustic/folk thrown together, with occasional hip-hop forays thrown into the mix.
The band’s new album Super Moon, though, is a distinctly different experience. Released on Friday, the album, which was recorded in Nashville and produced by Dave Cobb, is versatile.
Cobb, a four-time Grammy winner with country artists including Sturgill Simpson, Chris Stapleton, Jason Isbell, Brandi Carlile and the A Star Is Born soundtrack, seems an odd choice to produce a record for a band known for reggae/rock crossovers like “Lay Me Down,” but it works.
The result is an eclectic record of styles, sounds and rhythms that warrants repeat listens. Dive in below:
Dirty Heads vocalist Jared Watson said of the record that it sounds like “a 70’s sci-fi kung fu Western car chase soundtrack. It gives you a look into the sonics, tone, and creative narrative of this album. It was all recorded live in the same room to tape in Studio A in the old RCA building in Nashville, Tennessee, where legends like Johnny Cash and Elvis recorded a lot of their work.”
Dirty Heads are finishing up a summer tour alongside 311, which just released its own new record, Voyager, on June 28.
The remaining dates of that tour:
August 10, 2019 – Phoenix, AZ – Ak-Chin Pavilion+
August 11, 2019 – Chula Vista, CA – North Island Credit Union Amphitheatre^+
August 14, 2019 – Avila Beach, CA – Avila Beach Concerts at the Cove+
August 16, 2019 – Sacramento, CA – Papa Murphy’s Park at Cal Expo+
August 17, 2019 – Portland, OR – Veterans Memorial Coliseum+
August 18, 2019 – Auburn, WA – White River Amphitheatre^+
August 20, 2019 – Salt Lake City, UT – USANA Amphitheatre+
^Dirty Heads close
+with The Interrupters, Dreamers and Bikini Trill